Yesterday I had one of those moments that comes to all of us as we get
older, reading an obituary of someone I assumed had died years ago.
It was Harry Carey Jr, a Hollywood actor who, despite not being a big
star, is a familiar face to all of us who love old westerns. He was one of the
regulars in John Ford movies, which meant that he had significant parts in some
John Wayne classics – The Searchers and She Wore A Yellow Ribbon – and a couple
of starring roles – The Three Godfathers and Wagon Master. He had his highest
profile in the 1950s but used to crop up in movies and on TV until the 1990s, and
wrote a book about working on the Ford westerns.
No-one would argue that he was among the Hollywood greats, but he was
one of those character actors who always contributed to a good movie and could
sometimes provide a redeeming factor for a bad one. And he was one of the faces
who would prompt many of us to point at a screen and say “Look who that is!”
I have to mark his passing because I’m a great fan of John Ford movies.
I’ve watched some of them several times over – Stagecoach, My Darling Clementine,
Rio Bravo, The Searchers – and always enjoy them even though I know what’s
coming. I know there’s something dubious about many of them, feeding a myth about
the west that airbrushes the fact that land was stolen and native Americans
wiped out in their hundreds of thousands, but they’re great stories with intriguing
characters and make magnificent use of the landscape.
Ford was the visionary, and there’s no arguing that the presence of
leading actors like John Wayne and Henry Fonda was crucial to their artistic as
much as commercial success, but the supporting actors were as much as part of
it. They wouldn’t be the same without the likes of Walter Brennan, Victor
McLaglen, Ben Johnson, and Harry Carey Jr.
I believe he’s the last to go, and he deserves a farewell.
Mark
Say's collection of fiction, Perversities of Faith, is available on amazon.co.uk and amazon.com. Also check out www.marksaywriter.com.
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